Relive.

What are you running?

Your fans already filmed the whole tour

Hundreds of phones shoot every night from angles no crew could buy. Pull them into one workspace, jump straight to the drop, and post the reel before the bus leaves.

Open Pro ToolsCreate an account

No camera crew · No chasing DMs · Same-night reels

Sample workspace — illustrative data

The difference

What changes after the first show

Today

  • Scroll 1,800 fan uploads hunting for the encore.
  • Re-collect and re-cut the same song in every city.
  • The reel lands three days later, after the moment passed.

With Pro Tools

  • SONG and DROP cues are already on the timeline, timestamped.
  • One song, all 18 nights, in a single Library view.
  • Clip, assemble, render, and post while the room empties.

For artists, managers, and tour marketing

From 1,800 fan clips to tonight's reel

  • Every angle, already shot

    Barricade, pit, back of the floor. Link the artist once and every new show rolls into the same library on its own.

  • The drop finds you

    Song changes come from Shazam, peaks from crowd density. Open Markers and the moment is labeled before you look for it.

  • Out while it still matters

    Trim with I/O keys, pick 9:16, render. Social gets the cut tonight and stakeholders get the landscape version.

Inside the workspace

An ops console, not a feed

Same tools your team opens after a show — coverage, markers, library, and exports — without the consumer feed in the way.

Coverage

See which songs actually have angles

Open any show Island and the Coverage matrix shows density over time, who filmed what, and where the gaps are — before you start cutting.

  • Brighter cells mean more phones filming the same moment
  • Each row is a contributor — gaps show who went dark
  • Use it before you cut, so you pick songs that actually have angles

Sample event · Madison Square Garden · N2

Songs & segments

Where footage is strong enough to cut — coverage is how much of the stretch has video; multi is how often you have 2+ angles.

  • Midnight Static

    Artist · 01:12:04

    96%

    78% multi

  • Glass Floor

    Artist · 00:48:22

    88%

    64% multi

  • Afterglow VIP

    Artist · 01:38:11

    71%

    42% multi

Coverage gaps

Empty stretches with no usable footage — skip them, or know when to ask the room for more angles next time.

  • 00:31:40 – 00:36:12

    Uncovered period

    4m 32s

  • 01:51:08 – 01:53:40

    Uncovered period

    2m 32s

Markers

The moments are labeled before you open the file

SONG, DROP, SET_CHANGE, and SPONSOR cues land on every show Island automatically — refine the ones you actually plan to cut.

  • Seeded from Shazam song changes and crowd density peaks
  • Filter to one kind when you're packaging a single track
  • Cues stay attached to exports, so the archive stays searchable

Markers board

Filter by kind, jump to the timestamp, clip from there

318 in scope
KindLabelEventTime
SONGMidnight StaticMadison Square Garden · N201:12:04
DROPBass drop — bridgeMadison Square Garden · N201:14:38
SET_CHANGEEncore walk-onUnited Center · Chicago01:58:11
SPONSORBrand cue · stage leftBrooklyn Mirage00:48:11

Library

One song, every city, one view

Group by Song, Event, or Contributor — then send the standouts straight to a reel.

Grouped by Song

SongEventContributorVenue
  • Midnight Static86 videos · 2.1k likes
  • Glass Floor71 videos · 1.6k likes
  • Afterglow VIP54 videos · 980 likes

Exports

Clip, assemble, download

Render jobs queue while you keep working — 9:16 for social, 16:9 for stakeholders, with markers still attached.

Export queue

Clip → reel → download

  • Reel · Midnight Static — Tour package

    SUCCEEDED

    9:16 · 12 clips · 48s

    Download

  • Clip · DROP · MSG N2

    RUNNING

    9:16 · mute off · marker attached

  • Reel · Encore cuts — Week 3

    QUEUED

    16:9 · 8 clips · 1m 05s

Getting started

Set up before soundcheck

  1. 01

    Link the artist

    Add the Artist and key Songs. Every future show on the run attaches itself — you never touch settings again.

  2. 02

    Let the cues seed

    Run Auto-generate once the night closes. Shazam and density do the first pass; you rename what you'll cut.

  3. 03

    Cut and post

    Pull the best angles into a reel, render, and hand social the file before the crew loads out.

Tonight's show is already filming

Spin up a tour workspace, link your artist, and cut tonight's reel.

Create your workspaceHow Islands work