Pro Tools · Track Lookup
find song in fan videos
Find every fan video that contains your song
Find song in fan videos without waiting for Shazam catalog coverage. Relive Track Lookup lets artists, labels, and brands upload a private reference file — WAV, MP3, or FLAC, including unreleased masters — then fingerprints that audio against a scoped Relive fan and crowd video corpus. Matches return with confidence and time offset so you can clip, Package, and Export hits without leaving Track Lookup mode. It is Pro Tools workflow for private reference track matching, not a free public URL-paste Shazam clone and not an open-web or Instagram Stories crawler.
Who it's for
Track Lookup is for artists, managers, labels, sync teams, and brand stakeholders who need to find every video containing my song inside Relive’s published crowd corpus — especially when the track is a debut, remix, or unreleased master with no Shazam catalog coverage. If you search for unreleased track audio fingerprint tools, private reference track matching, or ways to match reference track to concert footage without scraping TikTok or Instagram globally, this is the Relive Pro Tools workflow. You work inside a workspace with scope rules; fans already uploaded footage to Relive Islands. Relive Pro Tools is required for Track Lookup ops — it is not a free public paste-a-YouTube-link detector. Fans can upload crowd footage via Island web pages; operators need Pro Tools.
Why teams need this
Catalog tools miss debuts and embargoes
Shazam-style catalog matching cannot find every video containing my song when the master is unreleased, renamed, or never submitted. Your live debut is invisible to tools that only know charted ISRCs — while the best rail phones already filmed it on Relive.
Open-web scrapers are the wrong corpus
Teams hunting TikTok or Instagram Stories at internet scale get noisy rights, incomplete metadata, and no in/out workflow into stakeholder exports. You need audio fingerprint crowd footage inside events you actually operate — not a global crawl you cannot clear.
Match without a production path
A spreadsheet of “maybe this clip” still leaves editors scrubbing blind. Without confidence, offset, and a clip → Package → Export path in one mode, private reference track matching dies in Slack threads.
What Relive delivers
Private reference in, scoped hits out
Upload WAV/MP3/FLAC — including unreleased masters — and rematch against Relive’s fingerprinted fan corpus. Hits list events and source videos with confidence and offset so match reference track to concert footage becomes an ops queue, not a scavenger hunt.
Unreleased still matches
Because fingerprinting uses your file against Relive crowd video — not Shazam catalog coverage — debut and embargoed audio can still surface. Find song in fan videos the night after the premiere, not after the catalog finally updates.
Stay in Track Lookup through export
Clip hits, build Packages, and queue renders without leaving the mode. The differentiator is not only detection — it is finishing stakeholder-ready assets from the same private reference track matching session.
Dig deeper into find song in fan videos
Most “find this song in videos” products lean on public music catalogs. That fails the moment your asset is embargoed, a radio edit that never charted, a live arrangement, or a master that has not been submitted anywhere. Relive Track Lookup flips the model: you upload the reference you own, Relive builds an audio fingerprint from that file, then searches fingerprinted crowd videos inside your scoped Relive corpus. The search surface is Relive fan and crowd footage tied to events you scope — not the open web, not an Instagram Stories crawler, and not a promise to index every phone on TikTok. Honesty matters because teams comparing Spot-style or Shazam-for-YouTube workflows expect public URL paste; Relive’s differentiator is private reference track matching against footage that already lives on Relive Islands.
Operationally, Track Lookup is built as a closed loop for content ops. Upload a reference (WAV, MP3, or FLAC) and it becomes the Track Lookup scope. Rematch searches the fingerprint index; hits unlock Events and Source videos with confidence scores and offsets so editors know where the audio lands in each clip. Optional Artist or Event scope rules narrow the corpus when a tour is large. From the same mode you clip standouts, assemble Packages, and queue Exports — match → clip → Package → Export without bouncing across half a dozen tabs. Empty matches usually mean the fingerprint index for that corpus is empty or still building, not that the song was never played; pair reference files with Artist or Event rules so the corpus you expect is actually resolvable.
For labels and brands, the strategic win is coverage of moments catalogs cannot see yet. An unreleased track audio fingerprint against Relive crowd footage surfaces pit phones that caught the live debut, balcony phones that caught the bridge, and aftershow clips where the hook leaked into the lobby — then hands those moments to precision clipping and reel builder with offsets already known. You still need Relive Pro Tools access, workspace membership, and a scoped set of events with published uploads. Track Lookup does not invent footage from the open internet; it finds song in fan videos that fans already contributed to Relive. That constraint is the product: rights-aligned, private-reference, corpus-scoped matching for teams who already run live event content ops on Relive.
How it works
From input to shipped asset
Step 1
Upload a private reference
Add a WAV, MP3, or FLAC reference file in Pro Tools Track Lookup. The file becomes your Track Lookup scope — including unreleased masters you do not want exposed to a public paste tool.
Step 2
Scope the Relive corpus
Optionally add Artist or Event rules so rematch searches the fan videos you care about. Reference files do not invent events; they fingerprint against published Relive crowd footage already in scope.
Step 3
Rematch and review hits
Relive fingerprints the reference and searches the indexed corpus. Review matches by confidence, open source videos at the offset, and confirm which phones caught the hook, drop, or bridge.
Step 4
Clip, Package, Export
Trim hits with precision clipping, assemble Packages, and queue the render & export queue — all without leaving Track Lookup mode when the workflow stays on the match path.
In the field
Scenarios where this feature wins
Unreleased live debut
The single drops Friday; Thursday night the band plays it. Upload the master as a private reference, rematch the night’s Relive Islands, and surface every fan angle that caught the debut — then package a 9:16 for social before catalog tools even know the title exists.
Label sweep across a tour
A sync lead needs every performance of a deep cut across twelve stops. Scope the artist tour, upload the reference, rematch, and collect high-confidence hits into one Package for partners — find every video containing my song without scraping the open web.
Brand activation with a custom bed
A sponsor bed or custom sting was played in-venue but never Shazamed. Upload the bed stem, fingerprint against Relive crowd footage for those events, and pull proof-of-play clips with offsets for the recap deck.
Remix / radio edit confusion
Fans filmed the extended live arrangement that differs from the streaming master. Your private reference of the live mix still matches Relive phones; catalog ISRC tools would miss the arrangement entirely.
Built-in capabilities
Private reference upload (WAV/MP3/FLAC)
Keep unreleased masters inside Pro Tools. Your reference drives the fingerprint — you are not hoping a third-party catalog already knows the track.
Scoped Relive fan corpus
Search fingerprinted crowd videos on Relive Islands you scope by artist, event, or related rules — not an unbounded internet crawl.
Confidence + offset on every hit
Editors land on the moment in source video instead of scrubbing blind, then jump straight into clip and Package workflows.
Match → Package → Export in one mode
Track Lookup is built as a content-ops loop: rematch, review Events and Source videos, clip, package, and queue exports without abandoning the reference context.
Compared to the usual options
Versus Shazam catalog / Shazam-for-YouTube style tools
Those products excel when audio is in a public catalog. Relive Track Lookup is for private reference track matching — including unreleased — against Relive’s scoped fan corpus. It requires Pro Tools; it is not a free public URL paste detector.
Versus Spot-style open-web or social crawlers
Relive does not claim to crawl TikTok, Instagram Stories, or the open web for your song. Matching runs on Relive crowd footage inside your workspace scope — rights-aligned and ops-ready, not global scrape theater.
Versus manual scrub of Drive dumps
Manual review cannot scale across hundreds of phones. Audio fingerprint crowd footage with confidence and offset turns “maybe in this folder” into a ranked hit list you can clip the same day.
Versus song-title tags alone
Fan-applied titles and Shazam song markers help when metadata exists. Track Lookup finds audio even when titles are wrong, missing, or embargoed — because the reference file is the source of truth.
People also search for
- find song in fan videos
- unreleased track audio fingerprint
- match reference track to concert footage
- find every video containing my song
- private reference track matching
- audio fingerprint crowd footage
- how to find unreleased song in concert fan videos
- label tool to match master to live crowd clips
- debut song fan footage search without Shazam
- WAV reference match Relive Pro Tools
- artist find every phone that filmed my song
- scoped corpus audio fingerprint live events
Related topics: unreleased track audio fingerprint · match reference track to concert footage · find every video containing my song · private reference track matching · audio fingerprint crowd footage · debut song fan video search · label crowd content discovery · unreleased master match concert clips · artist fan footage by audio · reference WAV match live videos · Pro Tools track lookup Relive · fingerprint unreleased song in crowd video · scoped corpus audio matching · concert fan video song finder
Frequently asked questions
Can Track Lookup find an unreleased song in fan videos?
- Yes — that is a core use case. Upload your private reference (including an unreleased master), then rematch against fingerprinted Relive crowd footage in scope. Matching does not depend on Shazam catalog coverage.
Does Relive crawl TikTok or Instagram for my track?
- No. Track Lookup fingerprints against Relive’s published fan and crowd video corpus inside your workspace scope. It is not an open-web crawler and does not index Instagram Stories or TikTok globally.
Is this a free public Shazam URL paste tool?
- No. Relive Track Lookup is part of Relive Pro Tools. You need product access and a workspace; it is built for artists, labels, and stakeholders running live event content ops — not anonymous public paste detection.
What file formats can I upload as a reference?
- WAV, MP3, and FLAC references are supported. The uploaded file becomes the Track Lookup scope used for fingerprinting.
Why are my matches empty?
- Empty results usually mean the fingerprint index for that corpus is empty or still building, or scope does not resolve the events you expect — not proof the track was never played. Pair the reference with Artist or Event rules and confirm published Relive uploads exist.
What do confidence and offset mean?
- Confidence ranks how strongly the reference audio appears in a crowd video. Offset points to where the match lands in that source so you can open, clip, and package without scrubbing from zero.
Can I clip and export without leaving Track Lookup?
- Yes. The intended loop is match → clip → Package → Export inside Track Lookup so detection and delivery stay connected.
How is this different from Shazam song markers in Relive?
- Shazam-derived markers help when catalog recognition fires. Track Lookup uses your private reference against Relive crowd fingerprints, so debuts, remixes, and unreleased masters can still match when catalog coverage is missing.
Related features
Precision clipping
Precision clipping turns Relive crowd source video into stakeholder-ready subclips. Set in and out with keyboard shortcuts, choose aspect presets for Stories, feeds, or landscape, mute when needed, and attach typed markers so packages keep meaning. Editors work inside Pro Tools — trim, reframe, watermark, and fade — then save into reels or the render queue without rebuilding the night in a separate NLE for every vertical cut.
Learn moreReel builder
Reel builder assembles ordered highlight packages from Relive Pro clips — Library multi-selects, clip bin saves, and Track Lookup packages — then lets you reorder for narrative before render. Artists, teams, venues, and brands ship stakeholder-ready stories without rebuilding sequences in a disconnected editor. Tag show recaps when tour intelligence should attribute packages to stops; download finished assets from the export queue.
Learn moreRender & export
Render & export queue turns Relive Pro clips and reels into downloadable files. Queue ffmpeg jobs from the clip editor or reel builder, watch progress move Queued → Running → Succeeded, and download finished assets for stakeholders. Built for artist, team, venue, and brand desks who need reliable exports from crowd footage — not a mystery desktop encode on each editor’s laptop.
Learn moreCross-event aggregation
Cross-event aggregation gives artists, teams, venues, and brands one Library over many Relive Islands. Roll up published crowd footage by song, artist, team, venue, contributor, day, or custom tag so tour and season content ops stop living in per-show folders. Scope rules resolve which events appear; you drill a bucket, multi-select standouts, and move into clipping or reels without rebuilding filters for every city.
Learn moreTyped markers
Typed markers give artists, teams, venues, and brands first-class timeline cues on Relive crowd footage — goals, song changes, drops, sponsors, interviews, highlights, and custom labels. Seed with Auto-generate from Shazam song changes, density peaks, moments, and scores, then refine by hand so clipping and reels start from meaning instead of blind scrub. Markers live in Pro Tools workspaces; they are stakeholder storytelling infrastructure, not consumer stickers.
Learn more
Ready to try Track Lookup?
Upload a private reference track — including unreleased — and match every Relive fan video that contains that audio. Confidence, offsets, clip, Package, Export in Pro Tools.