Pro Tools pricing
Build a searchable crowd-footage library, find tracks, cut moments and export packages—without paying per event.
Annual plans are priced at ten months. Consumer Relive stays free.
Creator
Artist or individual content creator
A low-friction way for one artist or creator to begin using Pro Tools.
Unlimited events. No per-show fees. Cancel anytime.
Start with CreatorPro
Manager or small content team
The best fit for artists, managers, and small tour teams — a normal software expense, not an agency contract.
Unlimited events. No per-show fees. Cancel anytime.
Choose ProTeam
Active tour team, agency, or venue
For customers operating Relive as part of their regular workflow.
Unlimited events. No per-show fees. Cancel anytime.
Choose TeamBusiness
Labels, agencies, portfolios, and large archives
Custom pricing for storage, processing, and organizational scale — not the number of events.
Unlimited events. No per-show fees. Cancel anytime.
Contact salesOn every paid plan
Relive Pro Tools is built around the library — not a per-event invoice. Plans differ by team size and processing allowance, not by how many shows you run.
Never pay per night. Shows build the habit and grow the library.
One searchable archive across dates, venues, and tours.
Cut moments, build reels, and export stakeholder-ready packages.
No per-show contracts. Scale seats and storage when you need them.
Teams & seats
Pricing follows how content teams actually work: a few operators in the tools, many stakeholders reviewing the library.
Operators edit, mark, look up tracks, and export. Viewers can browse the library without counting against your seat limit — unlimited on Pro and above.
A workspace is a home for an artist, brand, venue, or client. Creator has one. Pro gets three. Team unlocks unlimited so agencies and tour orgs can keep work separate.
Creator is one operator. Pro covers a manager plus a small content crew (up to five). Team fits active tour teams and smaller agencies (up to fifteen). Need more? Add seats in packs of five.
Solo artists start on Creator. Managers and small tour teams usually land on Pro. Venues, agencies, and crews running Relive every week move to Team. Labels and large archives go Business.
Compare allowances
The numbers that actually change between plans — everything else stays generous.
| Allowance | Creator | ProRecommended | Team | Business |
|---|---|---|---|---|
| Operator seats | 1 | 5 | 15 | Custom |
| Workspaces | 1 | 3 | Unlimited | Custom |
| Viewers | — | Unlimited | Unlimited | Unlimited |
| Active media storage | 50 GB | 250 GB | 1 TB | Dedicated |
| Track Lookup / month | 5 | 25 | 100 | High volume |
| Export minutes / month | 60 | 300 | 1,500 | Priority |
How billing works
Shows create the habit and expand the library. We meter the resources that cost Relive money — Track Lookup, rendering, storage, and operator seats.
Active media storage
Footage Relive keeps ready to browse, search, and cut.
Indexed source-video hours
Hours of source video Relive has to hold and match against.
Track Lookup searches
Reference-track matching is compute-heavy — metered fairly.
Export / render minutes
Package and reel rendering scales with what you ship.
Operator seats
People who edit, mark, and export — not passive viewers.
Simple overages
No credit systems. When a plan limit is the only thing holding you back, top up storage, lookups, renders, or seats.
Keep more of the archive warm without jumping a whole tier.
Extra reference-track searches when a release week spikes.
More render time for packages, reels, and stakeholder cuts.
Grow the editing crew without rewriting your plan.
Free Relive for fans. Pro Tools when you're ready to find tracks, cut packages, and run the archive across a tour.